A conceptual mixed-media project for V Magazine (Issue 156). The series simulates a passenger’s perspective on a subway, observing luxury timepieces within "temporally lost" environments—ranging from a 1970s New York "mob-wife" aesthetic to a NASA-inspired lunar terminal and an anime-stylized Seoul.

The Pipeline: Environments were synthesized using SDXL with tailored LoRAs (Vintage 70s, NASA, Anime) and refined via a complex ComfyUI upscaler using Flux and IP-Adapter models for granular detail. In the studio, hand models were photographed against a white background, with lighting meticulously matched to the geometry of the AI-generated "Location Plates."

The Film: The project culminated in a documentary-style short film. This mixed-media piece blends raw, live-action subway footage with neural animations generated in Adobe Firefly. The result is an experimental inquiry into the friction between physical reality and synthetic memory, preserved alongside a series of surreal outtakes from the production journey.